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Conferenza Tibet
Partito Radicale Massimo - 26 febbraio 2000
WTN-L 25/2/2000

_________________ WTN-L World Tibet Network News _________________

Published by: The Canada Tibet Committee

Editorial Board: Brian Given, Conrad Richter, Nima Dorjee,

Tseten Samdup, Thubten (Sam) Samdup

WTN Editors: wtn-editors@tibet.ca

______________________________________________________________________

Issue ID: 00/02/25 Compiled by Thubten (Sam) Samdup

----------------------------------------------------------------------

Friday, February 25, 2000

----------------------------------------------------------------------

Contents:

----------------------------------------------------------------------

1. U.S. Says Human Rights in China Worsened in 1999

2. U.S. Should Withdraw Permanent NTR Campaign, Says ICT

3. Worlds of Transformation: Tibetan Art of Wisdom and Compassion

4. BBC's apology letter to Ms. Stirling Davenport about errors in

their transcription of the Interview with the Dalai Lama

5. Buddhists on the ball - Tibetans monks go nuts over soccer

----------------------------------------------------------------------

1. U.S. Says Human Rights in China Worsened in 1999

----------------------------------------------------------------------

WASHINGTON, Friday February 25 (Reuters) - China's human rights record

worsened noticeably in 1999 as authorities hit at the China Democracy

Party, the Falun Gong spiritual movement, the media and unregistered

churches, the United States said on Friday.

``Beginning in the spring, Communist Party leaders moved quickly to

suppress what they believed to be organized challenges that threatened

national stability and Communist Party authority,'' the State Department

said in its annual report on the state of human rights around the world.

``The government's poor human rights record deteriorated markedly

throughout the year, as the government intensified efforts to suppress

dissent,'' the report on China said.

Several thousand people are in Chinese jails, in violation of

international conventions, for peacefully expressing their political,

religious and social views, and in 1999 fewer political prisoners than

usual were released early, it said.

By the end of the year almost all the key members of the fledgling

opposition China Democracy Party were in jail, either serving long

prison terms or in custody without formal charges. ''Only a handful of

dissidents nationwide dared to remain active publicly,'' the report

added.

On the Falun Gong movement, an irritant in relations for many months,

the report said tens of thousands of members have been detained. Quoting

``some reports,'' it said the government has started putting members in

psychiatric hospitals.

The Chinese authorities say the mass movement, a mixture of Buddhism,

Taoism, meditation and breathing exercises, is an ''evil cult''

responsible for the death of 1,400 practitioners and a threat to the

country's social stability.

The United States has already announced it will sponsor a resolution

critical of China at a meeting in March in Geneva of the U.N. Commission

on Human Rights.

China said this would be a blow to resuming a bilateral dialogue on

human rights, suspended by China in May 1999 after the United States

bombed the Chinese embassy in Belgrade.

Secretary of State Madeleine Albright, briefing reporters on the report,

dismissed the argument that the United States should respond to Chinese

abuses by denying China the permanent normal trade relations which it

seeks.

``We will continue to speak out on behalf of those in China who are

systematically denied basic political and religious freedoms ... but we

also see greater prospects for progress by pursuing our interests

through our ties with China than by cutting those ties,'' she said.

On the media in China, the State Department report said, ''The

government tightened restrictions on freedom of speech and of the press,

and increased controls on the Internet; self-censorship by journalists

also increased.''

``Control and manipulation of the press by the government for political

purposes increased during the year,'' it said.

On religion, which the Communist Party dislikes but tolerates within

limits, the report said, ``The government continued to restrict freedom

of religion and intensified controls on some unregistered churches.''

In some areas, the authorities broke up religious services, harassed and

sometimes fined, detained, beat and tortured church leaders and members,

it said.

The crackdown on dissent extended to outlying regions with restive

ethnic minorities, such as Tibet and the western province of Xinjiang,

which has a large Uighur population.

``Some minority groups, particularly Tibetan Buddhists and Muslim

Uighurs, came under increasing pressure as the government clamped down

on dissent and 'separatist' activities,'' the report said.

In Tibet it expanded and intensified a ``patriotic education campaign''

aimed at controlling the Buddhist monasteries and expelling supporters

of the Dalai Lama, the exiled spiritual and national leader of Tibet, it

said.

The State Department did, however, see some improvements in the level of

freedom in China.

It noted village elections took place, as well as experiments with

elections at the higher level of township.

The wealthier social groups played an increasing role in community life

and most Chinese lived under looser economic controls, with more room

for individual choice and more diversity in cultural life, the report

said.

China vigorously defends its human rights record and deeply resents U.S.

criticism. In a white paper released last week it boasted that its 1.2

billion people enjoyed ``unprecedented democracy and freedom'' safe from

hunger, cold and ignorance.

The document rejected the Western approach to human rights and insisted

China would follow its own path, focusing on the right to subsistence

and economic development.

The State Department said its full report on China was to be available

later on Friday through the State Department's Web site, www.state.gov.

----------------------------------------------------------------------

2. U.S. Should Withdraw Permanent NTR Campaign, Says ICT

----------------------------------------------------------------------

Tibetans Suffer "serious human rights abuses" according to U.S. State

Department Report:

February 25, 2000, Washington, D.C. (ICT) -- The State Department

Country Reports on Human Rights Practices for 1999 described in detail a

situation in Tibet of "tight controls on religion and on other

fundamental freedoms."

"This report provides ample evidence of why the Administration should

abandon its effort to secure permanent normal trade status with China

and keep its annual review process," said John Ackerly, President of the

International Campaign for Tibet.

"Abandoning the effort to secure permanent NTR would show to Europe and

the rest of the world that the U.S. is consistent in its stated

commitment to censure China at the United Nations Human Rights

Commission in Geneva," Mr. Ackerly added.

Thirteen pages of considered reporting by the State Department is a

marked improvement from years' past. However, the report continues to

contain a number of defeciencies and relies heavily on NGO reporting,

reflecting poor first-hand intelligence gathering abilities.

Nevertheless, this year, the report provided significantly more detail

about human rights abuses to Tibetans throughout Tibetan areas, not just

in the Tibet Autonomous Region.

According to the report, systematic abuses occurred this year against

Tibetan Buddhism, including gross interference by government authorities

in monasteries, and on many religious practices. The government also

"downgraded use of Tibetan in education", and purged so-called

"separatist materials" and certain historic and religious texts in

schools;

Among the most serious findings in the Tibet report are:--

* the lack of information about the 11th Panchen Lama who in 1999 is

presumed to have entered into a 4th year of detention.:-- "The

Government denied press reports in November that Gendun Choekyi Nyima

died and was cremated secretly; however, the Government continues to

refuse international observers the access necessary to confirm his

well-being";

* the escalation of reincarnation politics on the part of Beijing:--

"Agya Rinpoche, former abbot of Kumbum monastery in Qinghai province,

senior Tibetan religious figure, and an official at the deputy minister

level, left China in November 1998 due to differences with the Chinese

authorities... including, a heightened role demanded of him by the

Government in its campaign to legitimize Gyaltsen Norbu," (the Chinese

appointed Panchen Lama);

* Chadrel Rinpoche, who was accused of betraying state secrets while

helping the Dalai Lama choose the 11th reincarnation of the Panchen

Lama, has been held in a secret compound since his 1997 sentence;

* "In late December, the 14-year old Karmapa Lama left Tibet secretly,

reportedly to seek religious teaching in India."

* according to the U.N. High Commissioner for Refugees, 2,903 Tibetans

fled to exile during the year;"

* Chinese Government admission that "Ngawang Choephel, a Tibetan

ethnomusicologist sentenced in 1996 to 18 years in prison on charges of

espionage ... had developed symptoms of bronchitis, pulmonary infection,

and hepatitis;"

* Ngawang Sangdrol, a Tibetan nun first imprisoned at age 13, "has been

beaten badly on several occasion because of repeated participation in

protests at Drapchi prison .. Phuntsog Nyidrol, a Tibetan nun who

reportedly tried to shield Ngawang Sangdrol from beatings" was herself

beaten severely,

* female political prisoners "since 1987, have died at a rate of one in

22 while in prison" as a result of torture, beatings or other harsh

treatment;

* "an orphanage that housed more than 60 Tibetan children in Lhasa was

closed by local authorities ... and the children, ranging in age from 1

to 14 years, reportedly either were returned to their home prefectures,

turned out into the streets, or placed in a local orphanage where

conditions were reportedly extremely poor."

Contact: Mary Beth Markey, Bhuchung Tsering - 202 785-1515

----------------------------------------------------------------------

3. Worlds of Transformation: Tibetan Art of Wisdom and Compassion

----------------------------------------------------------------------

[This article was not complete yesterday. Therefore, we are reproducing

this today. WTN]

BY ELLIS WIDNER

ARKANSAS DEMOCRAT-GAZETTE

FORT WORTH - To some, he is famous because he is film actress Uma

Thurman's father.

To others, Robert A.F. Thurman is famous because he is the best-known

American authority on Tibetan culture and Buddhism and a close friend of

the Dalai Lama. The professor of Indo-Tibetan Buddhist Studies at

Columbia University and co-founder of New York's Tibet House, Thurman

has written many books (including Inner Revolution and Essential Tibetan

Buddhism) and was named one of the 25 most influential Americans by Time

magazine in 1997.

It was in his role of Tibetan scholar that Thurman came to the Kimbell

Art Museum to discuss "Worlds of Transformation," the second show of

Tibetan religious paintings - called tangkas - he has helped organize.

Its predecessor, 1991's "Wisdom and Compassion," is still touring around

the world. He also co-wrote the exhibits' extensive catalogs.

Thurman, 58, describes the tangkas, painted on silk or cotton and often

framed with brocade, as "a fascinating doorway into the very finest

artistic productions of Asian civilizations.

"Forget what you know or don't know about Tibet," Thurman says. "These

paintings can be approached as pieces of very beautiful and fine art

like people would approach a Russian icon or Renaissance paintings of

the Virgin." Punctuating his comments with a booming baritone voice, a

professorial tone and theatrical gestures, Thurman, wearing a dark suit

and long, yellow scarf, was an affable guide through this 60-piece

exhibit. The paintings, taken from the Shelley and Donald Rubin

collection, span 800 years - works of art that are religious, historical

and philosophical documents.

The wildly colorful deities depicted in the tangkas are shape-shifters,

who through their compassion for all living beings, take on whatever

form it takes to open us to the mind of enlightenment. Sometimes these

forms are peaceful and reassuring, others unsettling, erotic and even

scary.

It's hard for Thurman, a former monk, to choose a favorite among the

tangkas. But he pauses in front of a dynamic and colorful painting of

Maitreya, the Buddha of the future.

"It's marvelous," he says of the vibrant 600-year-old work. "This

painting is the reason I decided to curate this exhibit. It is

beautifully preserved ... but it was pretty dark in the monasteries so

it didn't fade in sunlight. The yak butter that was burned in the lamps

created a layer of grease over the paintings which kept oxygen away.

Also, they are painted with mineral pigment, so it's like gems on the

surface held in with glue."

But there's more to these works than a surface beauty, Thurman says.

"If people are open to the magic of spiritual growth, they will find in

these powerful documents of the human psyche a vision of divinity that

is very unique. [In Tibet] the human capacity to imagine the beauty and

nearness of the divine was cultivated to an extraordinary degree."

It is, Thurman says, as though these painters were seeing and painting

the inner visions of the Roman Catholic mystics and saints Hildegard von

Bingen, Teresa of Avila and Francis of Assisi.

"These images [present] an idea of the ultimate divinity of the universe

... this culture approached the divine as a mother-father union as the

primal scene, as the Freudian psychologists might say."

Thurman sees the ferocious, protector deities - with glaring red eyes,

bared fangs, wreathed in flames and wearing necklaces and crowns made of

human skulls - as dealing with the fierce natural aggressive energy that

is inside all people.

"Tibet was a wild, warrior country that conquered China several times

and beat up on its other neighbors. But Buddhism changed them from a

militaristic, violent society to a culture that sought bliss. It was by

no means a perfect society, Tibet was not Shangri-La.

"After Buddhism arrived, Tibetans did not repress that aggressive energy

nor did they express it in violence. They confronted it, sublimated it,

integrated it into their psyche. That is what these fierce archetypes

[represent]." Influential psychologist Carl Jung has written extensively

on Tibetan art. Thurman equates the fierce protector beings with the

Seraphim of Christianity. "[Tibetans believe] the force of compassion

and love in the universe is so powerful that it can be more fierce than

evil. That idea is in the works of Milton. In the battle with Lucifer,

the archangels Michael and Gabriel are very ferocious, they destroy the

other bad angels and throw them down. But it's not depicted [visually]

because of the nature of western culture. In a Byzantine cathedral, if

you look up in the corners you'll find a pair of giant wings, folded.

There are folded arms in front of the wings, but no body. They only show

the wings because people would be too scared to see [the fierce angel]."

Each Tibetan tangka, Thurman says, offers the potential for

transformation. "Before contemporary art, there was a tendency in the

west to think of the object of art as a definite thing outside yourself-

you enjoy that horse, that tree. Only in contemporary times did western

artists - Degas, Picasso, Cezanne, Braque, the cubists, the

impressionists - shatter the object. They began to create a world in

which the art would challenge you and open you up in some way. Art

becomes contemplative and you can become transformed within it. Tibetan

art is masterful at that."

Each tangka, Thurman says, offers an environment to experience the

divine through contemplation of the art.

"If you look at a tangka contemplatively, you enter into the painting,

see the transformation that is taking place and you participate in that

in a way. And you can experience a transformation within yourself."

----------------------------------------------------------------------

4. BBC's apology letter to Ms. Stirling Davenport about errors in

their transcription of the Interview with the Dalai Lama

----------------------------------------------------------------------

Dear Stirling

Thank you for your email.

We do apologise for some of the transcription errors in the Dalai Lama's

responses on Forum/Talking Point. Our aim was to transcribe the

interview with the Dalai Lama live as the interview was broadcast so

that our readers could read the interview as soon as possible after the

broadcast. Unfortunately, the interview was extremely difficult to hear

in parts and as a result some errors in the transcription were made.

We can only apologise for this and assure you that the errors you refer

to have been rectified.

Thank you for your vigilance and we do hope that it did not spoil your

enjoyment of the broadcast.

Regards

BBC News Online

http://news.bbc.co.uk/

-----Original Message-----

Dear Editors of BBC News:

Your coverage was really excellent and presentation was beautifully

done. I have one or two criticisms, however, in the fact that you

misreported the actual words of the Dalai Lama about the Karmapa. He

(correctly) refers to him as the Karmapa, as do all Tibetans (not the

Karmapa Lama). And secondly, he stated that the main motivation for the

Karmapa leaving Tibet was to serve the dharma (i.e., Buddhist

teachings)--not the government (as you put it). I think a retraction

would be very beneficial--or at least, your reference IN FUTURE to the

Karmapa as "the Karmapa"--thus setting a good example for other

newspeople. (Otherwise, how can people know the correct address for

such an important figure?)

Thanks for listening.

Sincerely,

Stirling Davenport, U.S.

----------------------------------------------------------------------

5. Buddhists on the ball - Tibetans monks go nuts over soccer

----------------------------------------------------------------------

By MATTHEW HAYS

The Cup takes us inside a Buddhist monastery, where monks-in-training

worship the game of football

Montreal, February 24, 2000 (The Mirror) - That Western audiences have a

fascination with Eastern cultures is pretty much a given. That cinematic

dalliances with East-meets-West themes are successful isn't always a

given. Witness the recent Jodie Foster effort Anna and the King, or The

Replacement Killers, or Lethal Weapon 4 even. When the big studios do

chime in on the East, it's usually either a flagrant effort to cash in,

blatantly phony and condescending, or both.

And that's a big part of the success of The Cup, a film about Buddhist

monks living in a monastery in India who are obsessed with catching the

'98 World Cup on TV. That the film is both refreshing and pleasing

should come as little surprise, considering that it wasn't made by an

outsider; first-time director Khyentse Norbu is himself a pre-eminent

lama of the Tibetan Buddhist tradition.

Aside from its lack of a condescending tone, perhaps what is most

striking about The Cup is its sheer simplicity. The young monk Orgyen

(Mayyang Lodro) and his friend Lodo (Neten Chokling) are two dedicated

young students of the Buddhist tradition. But coming of age in a

monastery isn't all fun and laughs; both young men are dying to catch

the '98 World Cup. They sneak out in the middle of the night to catch a

game at a seedy joint where they can pay to gaze at a TV.

Finally, Orgyen hatches a plan to locate a TV and to buy and hoist a

satellite dish above the monastery so all of the monks can enjoy the

final match. Part of this task involves convincing the monk hierarchy

that this slice of decidedly Western culture will be as innocuous as it

is fun. While the younger monks revel in their fascination with the

sport, the older monks attempt to reconcile their holy traditions with

this new, exotic influence in their midst.

Soccer not sex

Like the character in his screenplay, Norbu reports that one of the

trickiest things about making The Cup was convincing the older Tibetan

inhabitants of the Chokling Monastery (located near the Himalayas) that

filmmaking itself didn't involve anything too nasty. "People were

initially very uncomfortable doing a film," Norbu recalls. "Tibetans

tend to think that all film is about sex and violence. I knew what my

story was about, but they didn't. And I couldn't wander around

explaining the entire thing to everyone. I also had a bit of an inner

struggle with this--I'm trained as a philosophy teacher, not a

filmmaker."

For Norbu, accuracy was an incredibly important element to The Cup. His

cast is made up entirely of non-professional actors, most of them

plucked from the monastery where the film is shot. Since the budget was

tight, Norbu says most scenes were done in three takes or less, a

testament, he argues, to the strict concentration demanded of young

monks. Norbu says he doubts this level of accuracy could have been

attained by an outsider. "Maybe not. Certainly not the performances; the

backstories, those might have been hard for the cast to tell. The monks

wouldn't feel comfortable about discussing their crushes on girls, for

example, with someone else. But we're friends, and I know what we've

been through in the past."

A world of inspiration

Though the injection of the game of football into a monastery may sound

like the symbolic juxtaposition of a screenwriter, Norbu says this too

was rooted in fact. For whatever reason, he says when he grew up in a

monastery, a common obsession of the monks was soccer. People's

fascination with sports, Norbu points out, often borders on the

religious.

"India is a cricket nation. But Tibet is more of a football nation.

There's something about the simplicity of it all. It's economical; there

are no helmets, masks or uniforms. And the rules--it's basically just

about getting the ball in between those posts."

Norbu--who cites both Japan's Yasujiro Ozu and India's Satyajit Ray as

influences--describes the toughest part of creating The Cup as the

production period itself. "Logistically, it was so tiring. The

locations. The camera from Australia. The flying, driving, walking. We

had no electricity, so that meant no dailies. We couldn't see what we

were doing as we went along."

Though the filmmaking practice may have been new, Norbu, cast and crew

employed traditional Buddhist practices while creating the film. The

monastery was transformed into a film set for several weeks, meaning

much of the cast and crew was up before 4 a.m. daily to pray before

shooting would begin. Every decision surrounding the production was made

after Norbu carefully consulted with yogis, oracles and diviners.

Unpredictable weather was also a concern; numerous ritual prayer

sessions were arranged to aid in a smooth shooting schedule (the film

ended up in the can on time).

Culture clash?

But the results for the finished film have easily outstretched Norbu's

wildest imagination, now that The Cup is winning over audiences

internationally. "I didn't know it would take off like this. In Germany,

the film is entering its 14th week--I guess it's understandable that the

football idea would do extra well in Europe. I thought filmmaking would

involve writing, shooting and maybe a few festivals. All this promotion

is certainly new."

Early in his childhood, Norbu was identified by Buddhist religious

leaders as the third incarnation of the historic Khyentse lineage (his

duties include running a number of monasteries and colleges). Recently

his duties have involved granting interviews to pump up The Cup,

distributed in Canada by the nation's largest film company, the glitzy

Alliance-Atlantis.

Forgive me for asking, as the question certainly implies a stereotypical

comprehension of the Buddhist faith, but doesn't all this commercial,

film-biz-related capitalist hype kind of clash with Norbu's traditional

religious faith?

"It's true, we have to depend on foreign funding for filmmaking because

of the expense. And our producers at least want to make their money

back. But I feel one should make friends with this culture, then

influence it to be more humanist. Instead of being influenced, to try to

be the influence." :

The Cup opens Friday, February 18

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